Credentials: Assistant Professor of Korea Studies
1212 Van Hise Hall
Areas of Expertise:
dissident culture and democracy; postcolonial archive and historiography; Korean and East Asian cinema
Ph.D. University of California, Los Angeles
Hieyoon Kim is a scholar whose research focuses broadly on how media develops in and transforms political uncertainty. She is currently completing her first book entitled Celluloid Democracy: Cinema and Politics in Cold War South Korea, which concerns the intersection of cinema and democracy as well as the shifting geopolitics of postcolonial Korea. This book examines how South Koreans articulated a vision of democracy not as a representative political system but as a set of essential values to be realized in their experiments with cinema. What appears at first glance to have been a cultural activity in an authoritarian society—making, viewing, and showing films—is reinterpreted in this book as a democratic struggle, carried out through the people’s unflagging imagination of cinema in the pursuit of equity, freedom, and justice. Treating this articulation of democracy as a social force that challenged the autocratic state, this project adds to the current understanding of democracy and opens up a new conversation about what kind of world we want to struggle for.
Her second book tentatively titled Urban Ruins addresses the intersections of documentation and political activism in South Korean contemporary cinema.
Refereed Journal Articles
- “On 1987: South Korean Cinema in the Era of Re-democratization,” Korea Journal, 60.3 (forthcoming in Fall 2020)
- “Living with a Postcolonial Conundrum: Yi Yŏngil and Korean Film Historiography,” The Journal of Asian Studies, 78.3 (2019)
- Author Interview published at the Journal’s #AsiaNow blog
- “Archive in the State of Emergency: Realizing Film Preservation in Cold War South Korea,” Historical Journal of Film, Radio, and Television 39.1 (2019)
- “T’edŭ k’onŏnt’ŭwa chŏnhu namhanŭi yŏnghwamunhwa [Theodore Conant and the Postwar Film Industry in Cold War Korea],” in Ipangini kilokhan hankuk, yŏnghwa: siŏtoŏ k’onŏnt’ŭ k’ŏlleksyŏn [Korea, Cinema, Seen from A Foreigner’s Eyes: Theodore Conant Collection] ed. Korean Film Archive (Seoul: Hyunsilbook, 2016)
- “On the Postwar Film: Interview with Theodore Conant,” (trans) in Ipangini kilokhan hankuk, yŏnghwa: siŏtoŏ k’onŏnt’ŭ k’ŏlleksyŏn [Korea, Cinema, Seen from A Foreigner’s Eyes: Theodore Conant Collection] ed. Korean Film Archive (Seoul: Hyunsilbook, 2016)
- “Transregional Screening of Homeless Angels and Conflicting Positions of Colonial Korean Cinema,” in Koryŏ Film Company and the New Filmic Order of Total War Period, 1936-1941 ed. Korean Film Archive (Seoul: Hyunsilbook, 2007)
Before joining the University of Wisconsin-Madison, Hieyoon Kim taught at Brown University where, in addition to offering courses, she spent a year as the Sheridan Junior Faculty Teaching Fellow. At UW-Madison, she teaches a broad range of classes, including courses on Korean film and popular culture.
She has taught both undergraduate and graduate courses:
- Archive and Ephemera: Through a Lens of Asia (Graduate Seminar, Fall 2019)
- Korean Popular Culture (Undergraduate Survey, Fall 2019)
- The Two Koreas: Politics of Aesthetics (Undergraduate Seminar, Spring 2019)
- History and Memory in South Korean Cinema (Undergraduate Seminar, Spring 2019)
- K-pop: History, Politics, Culture (Undergraduate Survey, Fall 2018)